Legal:
These files
are for personal use only. This includes performances, recordings etc. The
files cant be redistributed, on the web or otherwise. The user is allowed to
make one copy of the files on a suitable medium for use on the triton. The
files cannot be re-sampled, converted, or modifyed in any way for use in other
musical instruments. The user is allowed to make alterations to the files for
personal use on the triton, but distributions of those files must be permitted
by the author of this document. Program files (pcg) are excepted from this
rule.
Included
files:
*Readme.txt
*documentation.htm
*227 Korg
files tot. 20151KB uncompressed
These files
are still in beta/development. This means that important elements of the
hammond sound is not included, while other aspects of the sound may need some
polishing, such as loop points and fx settings.
The organ
used for sampling was a nice `63 A100. Please note that this is the same organ
technically as the B3, except that it adds speakers and amplifiers, in addition
to reverb.
The aim of
the sample files is to recreate this organ in its present state. No
preprocessing was done to the samples, so noise and hum along with other
"deficiencies" of the tonewheel organs are included. Also, the organ
was sampled after the internal pre-amp, not through a Leslie speaker. This
means that the organ sound will typically not sound very nice dry. on the other
hand, these samples can be played back directly through a Leslie with very good
results. Or the Leslie can be simulated using the excelent onboard triton
leslie simulator, as is done on the accompanying programs and combies.
About the
use of the patches. Please note that the Hammond sounds best if you are continually
tweaking the drawbars to get the desired sound. Therefore, the individual
drawbars are separated on individual programs in the combies. Therefore, the
mixerpage will be a good place to stay at when performing. Typically, one prog
is used for Leslie noise and one for keyclick. This leaves only 6 channels for
drawbars, therefore, some are left out in each combi (or combined into static
programs). Note that if you dont use a given drawbar, you might want to switch
off the channel in order to conserve polyphony.
Korg script
files (*.ksc):
A100.ksc
(loads all samples and sounds)
A100_4m.ksc
(loads all but the 888big sample)
Multisamples:
001
tonewheel
002 Leslie
noise
003 soft
click
004 hard
click
005 soft
keyoff
006 hard
keyoff
007 888 big
PCG files:
A100_op2.pcg
Contains
the programs/combies needed to access the included samples.
Active
programs:
|
E024
888... A100 |
(single
program with 16", 8" and 5.25" drawbars out) |
|
E026
Leslie |
(mono
sample of Leslie noise at low and highspeed, D1/D#1 and C1/C#1 respectively.
Enter ms edit to move these keys to another position if you use a non 88-note
controller) |
|
E027
clicker |
(simulates
the key-click at note-on and note-off, velocity switched.) |
|
E029 2nd
percussion |
percussion
|
|
E030 16’
Wheelie |
The 16’
drawbar at proper pitch (C2-C7) |
|
E031 5 1/4’
Wheelie |
The 5
1/4’ drawbar at proper pitch (C2-C7 |
|
E032 8’ Wheelie |
The 8’
drawbar at proper pitch (C2-C7) |
|
E033 4’ Wheelie |
The 4’
drawbar at proper pitch (C2-C7) |
|
E034 2 2/3’
Wheelie |
The 2
2/3’ drawbar at proper pitch (C2-C7) |
|
E035 2’ Wheelie |
The 2’
drawbar at proper pitch (C2-C7) |
|
E036 1 2/3’
Wheelie |
The 1
2/3’ drawbar at proper pitch (C2-C7) |
|
E037 1
1/3’ Wheelie |
The 1
1/3’ drawbar at proper pitch (C2-C7) |
|
E038 1’
Wheelie |
The 1’
drawbar at proper pitch (C2-C7) |
|
E039 Growling
<short> |
Shortened
acc. bass |
|
E040 8’
V3/C3 knob 3 |
Vibrato
and tremolo done at patch level instead of using ifx |
|
E041 left
hand 8’ + 4’ |
Drawbar
mixture suited for left hand chords |
Active
combies:
|
A000
Organ is back 2 |
|
|
D127
Organ is back |
|
|
D126
VARIATION |
|
|
D125 Draw
the bars |
|
|
D124 70`s
lyrical |
|
|
D123
Clean dreamish |
|
|
D122 Lord
Jon <J – Y> |
|
|
D121
Nearly full org |
|
|
D120 kn3 for vib/chor |
|
|
D119 Jam
me? |
|
|
D118 Jam
me? 2 |
|
|
D117 std.
L.h. chords |
|
|
D116
Errol Garner spl |
|
|
D115
percussive |
|
|
D114 jam
me? 3 |
|
|
D113
Percussive 2 |
|
|
D112
Percussive 3 |
|
|
D111
Percussive 4 |
|
The current
setup is intended for using only combis for playing. It is possible to alter
the programs for using parts of the samples, although this would seriously
restrict the possibilities.
Controllers
(not all patches follow this convention):
SW2:
distortion
Joystick Y+
toggle + press D1 on keyboard: Leslie slow (chorale)
Joystick Y+
toggle + press C1 on keyboard: Leslie fast (tremolo)
Ass. knob 4
reverb level
Ass. knob 3
dry/chorus/vibrato mix
Joystick Y-
toggle Leslie break/start
Limitations
of this setup:
You have to
do two things to speedup/dn Leslie (joystick + note)
Future
additions:
If
possible, the Leslie simulation will be controlled by the arpeggiator or
anything else that will be more ergonomic. Also, stereo samples of Leslie noise
is on its way.
Contact:
Knut Inge
Hvidsten
admin@tritonhardware.cjb.net
http://www.tritonhardware.cjb.net